“in the upper echelon of our finest contemporary song composers”
— American Record Guide
Are Women People? The Songs of Lori Laitman
World Premiere recordings: *
Orange Afternoon Lover
Poems by Margaret Atwood
Maureen McKay, soprano; Andrew Rosenblum, piano
1. I. Against Still Life
2. II. I Was Reading a Scientific Article
3. III. I Am Sitting on the Edge
*Are Women People?
Poems by Alice Duer Miller, speech by Susan B. Anthony, text from The U.S. Constitution
Fourth Coast Ensemble: Sarah van der Ploeg, soprano; Bridget Skaggs, mezzo-soprano; Ace Gangoso, tenor; David Govertsen, baritone; Piano: Andrew Rosenblum, primo; Maria Sumareva, secondo
*4. I. A Suggested Campaign Song
*5. II. Without the Power to Vote
*6. III. Take Pity
*7. IV. Warning to Suffragists
*8. V. Relic
*9. VI. The Most Ignorant
*10. VII. Home and Where It Is
*11. VIII. The 19th Amendment
*12. Lullaby [World Premiere Recording of violin/piano version]
Tarn Travers, violin; Andrew Rosenblum, piano
*Dark Spring
Poems by Eugenio Montale, translated by Dana Gioia
Kyle Knapp, tenor; Andrew Rosenblum, piano
*13. I. The Flower on the Mountainside
*14. II. The Spirit
*15. III. Scissors, Don’t Cut Away
*16. IV. You Know This
Days and Nights
Poems by Robert Browning, Emily Dickinson, Francis Bourdillon, and Christina Rossetti
Nicole Cabell, soprano; Andrew Rosenblum, piano
17. I. Along with Me
18. II. They Might Not Need Me
19. III. The Night Has A Thousand Eyes
20. IV. Over The Fence
21. V. Song
22. VI. Wild Nights
*23. Distant Lyghts
Tarn Travers, violin; Andrew Rosenblum, piano
*24. Marriage of Many Years
Poem by Dana Gioia
Maureen McKay, soprano; Lori Laitman, piano
*25. The Treasure Song
Libretto by Dana Gioia, from the opera The Three Feathers
Daniel Belcher, baritone; Andrew Rosenblum, piano
Total Time: 64:04
“some of the most ravishingly beautiful music that I know in the repertoire.”
John Michael Cooper, Journeys blog
"an uncanny ability to get stuck in your head"
Maria Mazzaro, Opera News
“eminently singable”
Guy Rickards, Gramophone
“[a] thoroughly first-class release”
Gregory Berg, The Journal of Singing
“one is repeatedly dazzled by her compositional versatility and imagination”
Ron Schepper, Textura
“glorious outpouring of song ”
Colin Clarke, Fanfare
“in the upper echelon of our finest contemporary song composers”
Robert A. Moore, American Record Guide
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