Album Release: September 24, 2024

Cor Collaborandi, A Transnational Celebration of the Early Modern
The Kris Collective, Michael Kris

1. Sonata seconda á 7
from Sacri concentus ac symphoniae...6.7.8.12. voc. Venice 1618

Giovanni Battista Grillo (c. late 16th century–1662) 

Cantus (Gester), Septimus (Peroutka), Altus (Salvenmoser), Tenor (Kris),
Quintus (Schwingenschuh), Sextus (Harris), Bassus (Wissick),
Pars ad Organum (Causby, Swenberg)

2. *Magnificat secundi toni á 6 voci, Ultimi miei sospiri

Orlandus Lassus (c. 1532–1594) 

Cantus (sops & Peroutka), Altus (altos & Kris), Tenor 1 (tenors & Schwingenschuh),
Tenor 2 (tenors & Salvenmoser), Basso 1 (bass & Wissick, Clemens),
Basso 2 (bass & Harris), Organ (Causby)

3.  Ultimi miei sospiri after Philippe Verdelot (c. 1470-80–before 1552)
from Obras de Musica para Tecla Arpa y Vihuela, 1570

Antonio de Cabezón (1510–1566)

Canto (Gester), Alto (Salvenmoser), Tenor 1 (Kris), Tenor 2 (Schwingenschuh),
Basso 1 (Wissick), Basso 2 (Harris)

4.  Canzon vigesimasesta, La negrona
from Canzoni per Sonare, Venice 1608

Pietro Lappi (c. 1575–1630)

Canto 1 (Gester), Alto 1 (Pätzold), Tenore 1 (Peroutka), Basso 1 (Salvenmoser)

Canto 2 (Kris), Alto 2 (Schwingenschuh), Tenore 2 (Clemens), Basso 2 (Harris),
Continuo (Causby, Swenberg)

5. Psalm 147, Lauda Jerusalem
from Codex Lerma

Francisco Guerrero (1528–1599)

Tenors and Basses & Primo (Gester), Secondo (Pätzold), Altus (Kris),
Tenore 1 (Salvenmoser), Tenore 2 (Schwingenschuh), Basso (Harris), Organo (Causby)

6. Sonata decimasettima á 8, La Terza

Cesario Gussago (fl. 1599–1612)

Primo Choro: Canto 1 (Peroutka), Canto 2 (Pätzold), Alto (Salvenmoser), Tenor (Wissick)

Secondo Choro: Alto (Kris), Tenor 1 (Schwingenschuh), Tenor 2 (Clemens), Basso (Harris), Continuo (Causby, Swenberg)

7.  Sonate á 6

Giovanni Battista Buonamente (c. 1595–1642)

Canto 1 (Peroutka) Canto 2 (Pätzold), Alto (Kris), Tenor 1 (Salvenmoser),
Tenor 2 (Schwingenschuh), Basso (Harris), Continuo (Causby, Swenberg)

8. *Lieto godea, Madrigal á 8 voci

Giovanni Gabrieli (c. 1555–1612)

Cantus 1 (sops & Peroutka), Altus 1 (altos & Pätzold), Tenore 1 (tens & Kris),
Bassus 1 (basses & Wissick)

Cantus 2 (sops & Gester), Altus 2 (Schwingenschuh), Tenor 2 (tens & Clemens),
Bassus 2 (basses & Harris), Continuo (organ, Causby, Swenberg)

9. Canzon decimaquinta á 7, L’Aborea

Pietro LappI

Primo Choro: Canto 1 (Peroutka), Canto 2 (Pätzold), tenor (Kris)

Secondo Choro: Alto (Salvenmoser), Tenor 1 (Schwingenschuh), Tenor 2 (Clemens),
Basso (Harris)

10. *Laudate Dominum

Philippe Rogier (c. 1561–1596)

Cantus 1 (sops & Peroutka), Altus 1 (altos & Pätzold), Tenor 1 (tens & Kris),
Bassus 1 (basses & Wissick)

Cantus 2 (sops & Gester), Altus 2 (altos & Schwingenschuh), Tenor 2 (tens & Clemens), Bassus 2 (basses & Harris), Continuo (Causby, Swenberg)

11.  Canzon á 8, La Porta

Giovanni Domenico Rognoni Taeggio (late 16th century–before 1626)

Coro 1: Primo (Pätzold), Secondo (Gester), Alto (Peroutka, Kris), Tenore (Clemens)

Coro 2: Alto (Salvenmoser), Tenore 1 (Schwingenschuh), Tenore 2 (Wissick), Basso (Harris), Continuo (Causby, Swenberg)

12.  Fuga colorata

Giovanni GabrielI

Solo Organ (Joseph Causby)

Total Time 49:38

Recorded August 8–12, 2022
Duke University Chapel, Durham, North Carolina, USA

Links: Michael Kris | Front & Back Covers | Press Release