Acis Productions is proud to announce the forthcoming availability from May 17 of its latest recording, the new and the old, l’ancien et le nouveau, by organist, Isabelle Demers on

Bach - Prokofiev - Reger
This exciting recording from Acis offers a clarity and depth of color and tone reminiscent of the famous
“Decca sound”.
The performer’s own arrangement of a new Organ Suite of Prokofiev’s Romeo and Juliet is a perfect
match for the Simon Preston designed Marcussen.
An artist from the new world brings her own new take on old and new repertoire, in glorious
partnership with a tracker instrument designed and housed in the old.
ISABELLE DEMERS at the organ is a force of nature-a diminutive dynamo to whom La Presse in Montreal attributed “vehement virtuosity.” A native of Québec, she is rapidly becoming recognized as one of North America’s most virtuosic organists:
CD TRACKS:
1 ) Bach: Prelude in D, BWV 532
2 ) Bach: Fugue in D, BWV 532
3 ) Prokofiev arr. Demers: “The Street Wakens,” Romeo and Juliet
4 ) Prokofiev arr. Demers: “Romeo at the Fountain,” Romeo and Juliet
5 ) Prokofiev arr. Demers: “The Young Juilet,” Romeo and Juliet
6 ) Prokofiev arr. Demers: “Gavotte,” Romeo and Juliet
7 ) Prokofiev arr. Demers: “Balcony Scene,” Romeo and Juliet
8 ) Prokofiev arr. Demers: “The Duke’s Command,” Romeo and Juliet
9 ) Prokofiev arr. Demers: “Montagues and Capulets,” Romeo and Juliet
10 ) – 26 ) Reger: Introduction, Variations and Fugue on an Original Theme, Op. 73
THE RECORDING:
LINKS:
www.acisproductions.com – including VIDEO of the CD
www.concertartists.com/ID.html
www.abbasrecords.com
OPINION on ISABELLE DEMERS
“Stunning…breathtaking…the young organist performed it in an absolutely grandiose way without ever losing sight of the principal theme. But it was pure madness to add anything to such a dazzle. I therefore left during the small encore because I decided to keep with me the impression left by the Ad nos.”
( La Presse, Montreal)
“Demers’s technical and musical dexterity proved that the next generation of organists is well capable of carrying the profession forward.”
( The American Organist)
“Vehement virtuosity.”
( La Presse, Montreal)
“Consummate musicianship.”
( The Diapason)
“Daring and fresh…interpreted with infinite poetry…mind-blowing Toccata confirmed her tremendous talent. With her idiomatic style and her solid technique, Isabelle Demers is an artist outside the norms, or dare I say, beyond any competition.”
( Les Amis de l’orgue, Quebec City)
“A musical stealth bomber”
( Paul Jacobs, The Juilliard School)
